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(ALMOST) ANONYMOUS SAMURAI WARRIOR QUEENS

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Watching the Smithsonian program, “Samurai Warrior Queens,” I found myself, again, marveling at how anonymous the historians (?mostly male) kept women’s contributions — anonymous. I am reading the kokinshū for the sequel to Pillow Book of the Flower Samurai, which I am currently calling The Samurai’s Daughter. The kokinshū is a massive Imperial collection of poetry from  the early 10th century. And the translators/authors of this fabulous book speak of this very thing. The anonymity of women and their contributions.     In the kokinshū many of the poems’… Continue reading →