Category Archives: Writing

ROMANCE FINANCE PISSANTS

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  Just to set the record straight—most of you probably know what romance is,  and if you don’t know anything about finance, you’re in trouble— but pissants sounds so terrible, that even my voice recognition software wants to call it, “puissance.” But it has nothing to do with ants, usually, unless you are at a picnic where they are attending. The word,  “pissants” is actually considered vulgar (but when did that ever stop anyone?). Pissants means a person place or thing that is insignificant or of no consequence or… Continue reading →

FALLING IN LOVE AGAIN IS… SO GOOD

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I’ve decided to fall in love with love. I’ve also decided to go back and revisit. . . THE ROMANCE  as a genre.. Fortunately I discovered a terrific series of romances that are keeping my nose glued to my Nook. (Literally falling asleep reading with my nose on you know what and I love it!) So what is this fabulous series? Noelle August’s Boomerang, Rebound, and Bounce. Sorry everyone, I received an advance copy, so you’ll have to wait until August 25 to get Bounce.… Continue reading →

THE PERSONALITY OF THE VILLAIN

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Gordian Knot

No matter what kind of fiction or nonfiction that we write or read, there must be CONFLICT. Without conflict there is little interest. So what creates that conflict? The villain, antagonist, shadow, giant/monster/ogre or whatever kind of “evil” figure can exist, needs to exist, for a STORY to exist. There can even be many different antagonists within a single story. Cinderella and her evil stepmother and stepsisters Yet there must be something that blocks the hero in some way. As a reader, you may not… Continue reading →

LIVING ON THE EDGE…

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  LIVING ON THE EDGE…   For the past several weeks I lived on the edge… The edge of the United States i.e. the California coast—from Los Angeles to beautiful downtown Placerville, California         I stayed with friends and relatives along the way. All of whom demonstrated superb hospitality to me and my husband.  At one point, Slinky, the cat above, visited and fell asleep on my computer  –to help me.   I was fortunate to do a reading at the Avid Reader… Continue reading →

MORE NEW, MORE OLD

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A Young Girl Reading, c. 1776, by Jean-Honoré Fragonard

I received an email from someone who said that  Pillow Book of the Flower Samurai had passed her husband’s “test.” That got me to thinking. In my critique group, we are equally diverse: psychological suspense, science fiction, cozy mysteries, and historical fiction. So how can we critique each other? I think we do it by looking at the pieces, of which you can pick up any book on writing and find a whole bunch, but also by keeping the pieces together as one whole. That… Continue reading →

#4 Historical Fiction — Character, Character, Character

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Tomoe Gozen by Yoshitoshi 1880

If you’re a  reader or a writer, unforgettable characters are what we look for and strive for. Since late Heian Japan (12th century), people have been drawn to the extraordinary Tomoe Gozen, female samurai and wife of  Minamoto no Yoshinaka.(above) These past couple of days I have been validated on this  CHARACTER point several times: 1. Sunday, December 1, 2013 the New York Times Magazine has an article called, “The Big Picture Strikes Back.” I won’t sum it up for you, I think it’s better… Continue reading →

#3 in Historical Fiction—SIMPLICITY in the history, COMPLICATIONS in the story!

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XIR3675

#3 in Historical Fiction—SIMPLICITY in the history, COMPLICATIONS in the story! I usually detest genealogies and long family trees with lots of names I cannot keep track of. I placed the genealogies of the Taira, Minamoto and the Imperial families in the back of my book, because some people need, want, and perhaps like these things. (I’m not one of them, usually. Except when I am trying to learn them to write my story.) I understand about different learning and reading styles, with my graduate… Continue reading →

#2 IN HISTORICAL FICTION—THE STORY!

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  2. THE STORY What do all of these have in common: Alison Weir, Anne Perry, Ann Woodward, Laura Joh Rowland, Stephen Saylor, Elizabeth Peters, Mary Renault, the early Jean Auel, Philippa Gregory, James Melville and Diana Gabaldon? THE STORY. Amazing plot-driven, character-driven, conflict-driven, history-driven, stories.     The STORY is what draws me into historical fiction and the historical background is what keeps me there.  IF the history is accurate (See my previous post) i.e. no anachronisms, or egregious errors. I was reading a… Continue reading →

#1 In Historical Fiction—ACCURACY!

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ancient traditional lacquered pillow

There are four characteristics I value in historical fiction. I’ll be talking about each one in the next few posts. 1. Most important for me is ACCURACY.  I truly like the facts to be correct. For example, I noticed that Harlequin Romances was advertising for historical romance. Great. I know a little (okay, a lot) about the late Heian period. BUT. But, I am familiar with their standards. The way the romances are supposed to go—is nowhere near the path the romances of the Heian… Continue reading →

PERSISTENCE

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The Seven Luck Gods

The Japanese, especially in the Heian period and perhaps later,  world we would call superstitious. Like  Western Europeans they believe that illness could be caused by “bad spirits” and that their minute actions could cause disastrous consequences not only for themselves but for others. Naturally they would turn to the Seven Gods of Luck, displayed above and below. As I write this I take out a special package friend of mine gave me in which I keep buttons. But these buttons have the faces of… Continue reading →

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